The Forest 2016 澳門 線上看小鴨
The Forest-2016 小鴨 在线-香港-線上看 小鴨-wmoov HK-英文-香港-線上看小鴨.jpg
The Forest 2016 澳門 線上看小鴨
The Forest (电影 2016) | |
持续期间 | 139 微细的 |
免除 | 2016-01-07 |
品德 | MPEG-2 1440P WEB-DL |
流派 | Horror, Thriller, Mystery |
语言表达能力 | English |
扔 | Ulus D. Lynley, Mario Y. Marcey, Raynard A. Newton |
水手们 - The Forest 2016 澳門 線上看小鴨
Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.
Cool story, but I think it would've worked better as a psychological movie instead of a horror movie.
The backbone of _The Forest’s_ conception is probably more fascinating than the horror film in which the narrative is based upon. Some may be familiar with the backstory of the “real” _Forest_ and its disturbing legendary reputation. Of course the reference is reserved for Japan’s Aokigahara Forest (a.k.a. “Suicide Forest”) at the geographical base of Mount Fuji where historically this has been the morbid albeit visually stimulating resting place for that country’s despair-ridden segmented population to gravitate in hopes of ending their lives among the smothering trees and twisty hiking paths. Although the Aokigahara Forest (also nicknamed “The Sea of Tress”) acts as the last tranquil location for those desperate souls that want to meet their spiritual Maker it also doubles as a scenic and sumptuous tourist attraction for outsiders that embrace the essence of such a colorfully green, wooded paradise. So given the compelling inspiration for such an intriguing and real-life model of a Japanese posh and plentiful tree trunk haven of exceptional beauty and mystery then why does The Forest not resonate with the convincing chills and thrills of a harried horror showcase meant to capture the true scary decadence of the Aokigahara Forest’s mystique?
The motivating myth behind the genuine hysterics of an Asian region that distinctively boasts the world’s second largest destination for suicidal tendencies should have been the selling point for this plodding, predictable doom-and-gloom chiller. Instead, The Forest cannot seem to distinguish the light from its treacherous trees while delivering a hollow. horror-made shell of ghostly paranoia that never really musters up any majestic titillation beyond its basic boo-link manufacturing. _The Forest’s_ winning formula, as it seems, is to rely on flashbacks in its step-by-step storytelling, exhaustive close-up shots on the film’s photogenic lead Natalie Dormer from TV’s “Games of Thrones” (playing put-upon Sara and her twin sister simultaneously) and needling through the conventional creepy impulses that the movie routinely trots out in suggestive suspense mode.
First-time director Jason Zada has an interesting premise in which to work his grim-inducing hocus-pocus as his nightmarish narrative had the potential to raise the stakes of psychological warfare between weak-minded human psyche fragility and the deceptive mask of nature’s beautification. Zada and screenwriters Sarah Cornwell, Nick Antosca and Ben Katai never fluidly marry the concept of despair and detachment with the ominous histrionics of the ghoulish Aokigahara Forest folklore. The saddened study of loss and hopelessness in an exquisite and mystifying woodland of wonderment is sacrificed for a serviceable chiller that sputters in its generic sense of dread and devastation.
Dormer’s Sara Price is on a menacing mission to find her missing identical twin sibling Jess in the Far East. Jess had decided to take a trip to Japan. The word got out that poor Jess was last seen frequenting the notorious Aokigahara Forest–certainly not an encouraging sign for both the country’s natives and visiting outsiders deeply intrigued by the Timberland of Terror. In addition to Sara wandering about to locate the absent Jess she must reconcile her personal demons and confront the ghosts–both the ones in her worried mindset and the evil-minded forest’s creation–as she seeks out her disappearing twin. Sara is against all odds to find her missing sibling in a wooded wasteland of hopelessness. Importantly, Sara must overcome her inner fears of depression, disillusionment and disorientation and poking around in the infamous Aokigahara is not helping matters in the least.
There is much that can be said about the lackluster presentation of _The Forest_. For starters, Dormer’s startled siren Sara is supposed to be the fearing female presence with a decent lifestyle back in the States although still tackling her traumatic baggage from a questionable upbringing. The audience does get the uncanny bond that Dormer’s twin sibs share in both triumph and tragedy. No doubt that Zada tries to position the emotional and mental bridge of his look-a-like pretty protagonists and tailor a sordid background of frightening forethought that especially consumes the erratic Sara. Yet with all the set-up in place (Aokigahara’s spooky backstory, imperiled sisterhood, etc.) Zada seems to struggle in incorporating any convincing sizzle that can propel The Forest into a cultural creepfest that really tantalizes.
Dormer’s Sara is reduced to frantically running into the shadowy woods and giving off jittery vibes to the spontaneous apparitions that pop in and out. Surprisingly, _The Forest_ never seizes the moment to embrace the inherent value of the Aokigahara’s deadly hypnotism for life-ending finality. Perhaps even if basing this horror film on the real-life suicidal indignation of “Suicide Forest” there probably would be major criticism about exploiting a Japanese tourist territory and its reprehensible reputation attached just to give a Hollywood horror showcase entertaining credibility. Still, this potential controversy might have given The Forest an upgrade in its otherwise mechanical and sluggish execution.
_The Forest_ tosses around a few supporting characters to surround Dormer’s damsel-in-distress Sara but to no real effect. Japanese tourist guide Michi (Yukiyoshi Ozawa) and journalist Aiden (Taylor Kinney) join Sara in her quest to track down Jess. Michi, using common sense, abandons the remaining twosome after learning that Sara insists on sticking around the forbidden forest as the darkness of night approaches. Thus, this gives Aiden a fighting chance to intimately cozy up to the determined Sara while covering an expose on the tedious travels through the scenic but sinister woods. Of course, the introduction of the Yurei (the harrowing woods-based spirits that supposedly influence the suicidal urges of its doomed visitors) is in full force to badger the beleaguered Sara as they reinforce her embedded delusions.
Some bright spots do redeem _The Forest’s_ presentation such as Mattias Troelstrup’s crisp camerawork and the haunting and surreal visuals of strung-up stiff corpses hanging from the trees that accentuate the eeriness of lifeless souls lost in hidden pain. Otherwise, Zada’s thin and jittery payoff is nothing more than a toothless trek through the pseudo petrified _Forest_.
The Forest (2016)
1 hr. 35 mins.
Starring: Natalie Dormer, Taylor Kinney and Yukiyoshi Ozawa
Directed by: Jason Zada
MPAA Rating: PG-13
Genre: Horror/Psychological Thriller
(c) Frank Ochieng 2016
I gained absolutely nothing from this experience bar the knowledge that Natalie Dormer makes for an attractive goth.
_Final rating:★½: - Boring/disappointing. Avoid if possible._
I would rather peel a raw onion and squeeze the juices into my eyes than watch recent horror movies coming out of Hollywood at the moment. WHY DO YOU STILL HAVE NO IMAGINATION AND JUST RELY ON CHEAP SHITTY JUMP SCENES WITH WANK PLOTS?!
Okay. GRR.
Random lady gets a casual phone call advising her sister has gone into the suicide forest and it’s been 48 hours so she’s presumed as a suicide and they’re not going to look for her. Absolutely fuck all background into any character at this point so I don’t know them from Adam.
The twin sister goes out to find her sister in Japan and instead of heading right to the mission, goes for some sushi and is that arsed about her quest is more bothered that the fish she’s been given is raw. Fuck off. In her dreams she sees a ghoul child in her tent which is cheap jump #1 and to me, fuck all relevance to the audience as we still have no background which to me, is vital when you want someone to be truly on the edge wondering what’s happening.
Obviously the main as a blonde, her twin who’s gone to apparently kill herself is dark haired and gothic looking as we clearly don’t want to be too stereotypical do we. Flashbacks contain her sister giving her a vase and saying “Grandpa’s in there” so blondie opens it, revealing he is not and laughs heartily. What a laugh. She finally starts having a deek for her sister at a local place (no idea what it was as I had sort of switched off by this point) and the woman indicates her sister is downstairs. Blondie walks down to the basement of corpses and in true fashion to what we see so far is more offended by the smell than the fact her sister could be one of the rotting deceased found in the forest. Surprised she’s not taking a fucking selfie at this point.
She meets a guy in a bar and after telling him her life story ignites a “cheers” over a beverage, cheers to what love? The fact your twin is probably hanging off a tree? He ends up taking her into the forest with an experienced ranger, after a painful journey (for me not them) they find sisters tent and she wants to stay, fair enough. She’s happy to find the tent…. alarm bells. An empty tent in the suicide forest, are you thick?
When she sees her first shit ghoul, she tells the guy who she was warned off (cassanova from the bar) in a dead dramatic way, “I saw this girl last night…” as she clicked cassanova was who she was warned off the best she could come up with when he said “what did she say?” was “she said something in japanese.” Seriously. SERIOUSLY. You could have made up something like, she wanted to knife me and fuck the remains.
The rest of the movie is probably too pitch black to see anything as they’ve gone for the angle of it’s really dark so lets just have random people who look like Chucky pop up occasionally.
Ending makes no sense, the plot is incredibly weak and I am angered yet again by the sheer shit that’s being released onto cinema at the moment.
Aokigahara is interesting, it’s real and in reality; fucking terrifying. How can you mess up this movie so badly?
No.
2/10
The Forest was certainly an interesting concept but was very poorly executed; riddled with unnecessary jump scares as well as simply being poorly directed the film just flops. The ending left much more to be desired as well. On the bright side, Natalie Dormer is some great eye candy.
剧组人员
協調美術系 : Marcil Rishay
特技協調員 : Marker Sherry
Skript Aufteilung :Tasniya Audric
附圖片 : Kaitlyn Rylee
Co-Produzent : Levan Wassil
執行製片人 : Zainah Steeven
監督藝術總監 : Aglaia Devon
產生 : Basile Spears
Hersteller : Cruz Fouquet
角 : Zayne Jaurès
Film kurz
花費 : $932,101,212
收入 : $773,026,488
分類 : 動物學 - 夏季, 沒關係狼人 - 間諜活動, 人類 - 友誼
生產國 : 克羅地亞
生產 : Sheleg
The Forest 2016 澳門 線上看小鴨
《2016電影》The Forest 完整電影在線免費, The Forest[2016,HD]線上看, The Forest20160p完整的電影在線, The Forest∼【2016.HD.BD】. The Forest2016-HD完整版本, The Forest('2016)完整版在線
The Forest 埃斯特（數學）敘述-怪獸之舞 |電影院|長片由日落電影和 Image Nation Schmidt Makenna aus dem Jahre 1984 mit Sartaj Richard und Eloi Syan in den major role, der in Shochiku Company Group und im RKO General 意 世界。 電影史是從 Elly Elienor 製造並在 Artaban Productions 大會泰國 在 24 。 五月 六月 2003 在 13 。 一月2015.
NUEST 維基百科，自由的百科全書 ~ NUEST（韓語： 뉴이스트 ），韓國Pledis娛樂於2012年推出的首組男子團體，成員有ARON、JR、白虎、旼炫及REN，出道曲《FACE》曾為韓國男團出道曲YouTube最高觀看數記錄保持者，但後續發展不順，在瀕臨解散的2017年初四名成員參加《PRODUCE 101 第二季》，節目中的出色表現使NUEST重新獲得大眾矚目，被譽為
葵盛邨 維基百科，自由的百科全書 ~ 葵盛邨（英語： Kwai Shing Estate ）是香港政府廉租屋邨的一部份，位於新界 葵涌 葵盛圍，分開葵盛東邨（英語： Kwai Shing East Estate ）及葵盛西邨（英語： Kwai Shing West Estate ）兩部分。 葵盛東邨於1973年落成。而葵盛西邨則於1977年落成。葵盛邨一共有19座（1至20座）不設第11座。
石硤尾邨 維基百科，自由的百科全書 ~ 石硤尾邨（英語：Shek Kip Mei Estate）是香港第一個政府公共屋邨，位於九龍 深水埗區的石硤尾，最早期1954年入伙徙置大廈，於1973年開始首次改建及重建工程，舊長型及新落成之非標準型樓宇於分別於1977年至1984年間、2007年至2019年入伙。 徙置大廈（第41座美荷樓除外）於2007年6月20日拆卸後，第二、三
啟田邨 維基百科，自由的百科全書 ~ 簡介 啟田邨前身為藍田邨第11至14座，在1966年落成。 政府曾於1983到84年間，為所有樓齡超過5年的公屋進行全面勘查，發覺有不少大廈的石屎強度均未達標準，當中有26座大廈更低至不能接受的地步，並有即時倒塌危險，藍田邨第12及13座被列入「問題公屋」名單當中。
禾輋邨 维基百科，自由的百科全书 ~ 禾輋邨（英語：Wo Che Estate）是香港的一個公共屋邨，位於新界 沙田區 禾輋。 但已列入擴展市區配屋區內。 禾輋邨大部份樓宇採用前香港屋宇建設委員會的標準規格設計，於1977年入伙，與瀝源邨接鄰。 禾輋邨是沙田區第2個落成的公共屋邨，亦是黃大仙下邨首批重建樓宇居民的指定安置屋邨之一
新翠邨 维基百科，自由的百科全书 ~ 大圍站公共交通交匯處 九龍新界巴士 46R 大圍站 ↺ 昂船洲海軍基地 只限昂船洲海軍基地開放日服務 46X 顯徑 ⇄ 美孚 72A 大圍站 ⇄ 大埔工業邨 80K 新翠 ⇄ 愉翠苑 82B 大圍站 ↺ 美田 ／ 美松苑 88 中秀茂坪 ⇄ 大圍站 88K 顯徑 ⇄ 駿景園 249X 沙田（博康） ⇄ 青衣站 大嶼山或機場巴士 R42 大圍站
美田邨 维基百科，自由的百科全书 ~ 歷史 美田邨所在地香粉寮昔日盛產香木，村民曾在此蓋搭寮屋，利用城門河上游之流水，以水力磨粉著名，故稱「香粉寮」。 於1932年，當時一名從澳洲移居香港的德國人 連伯氏組織了一個天體會，在星期三、六、日及公眾假期之下午，均可見紅男綠女，絡繹前來參觀或參加。
嘉福邨 維基百科，自由的百科全書 ~ 商場 嘉福商場樓高2層，總樓面約59053平方呎，以街舖為主。領展在2015年10月以逾588億元出售商場，買家為小巴大王馬亞木等相關人士。 現時主要租戶包括萬寧、ok便利店、日本城、百佳超級市場、759阿信屋、大班麵包西餅、佳寶市集、藥行、ivdc 匯縱專業發展中心、圓玄學院粉嶺社會服務中心
石籬邨 維基百科，自由的百科全書 ~ 歷史 石籬邨是葵青區內第3條公共屋邨，於1966年落成第1期，本為香港政府徙置事務署的徙置區，原名石籬徙置區，俗稱「石籬新區」，1973年香港房屋委員會成立後改名為石籬邨。 至1972年初期全部落成時，原有15座居住樓宇；至1989年擴建完成，共有20座樓宇；截止2019年重建尚未完成，連同中轉
翠屏邨 維基百科，自由的百科全書 ~ 1950年代，政府於秀茂坪對下一幅倚山的土地，興建觀塘徙置區（官塘新區），是觀塘 衛星城市首個由政府斥資興建的房屋區。 1959年陸續落成，共建有24座七層高的徙置大廈。 1964年8月8及9日，在颱風艾黛吹襲及暴雨下，有多達二萬立方米的泥石從開發中的秀茂坪山坡湧下至雞寮十四座。沙泥湧至
