Senin, 25 Juni 2018

Abruptio 2018 澳門 線上看小鴨

Abruptio 2018 澳門 線上看小鴨






Abruptio-2018 小鴨 在线-香港上映-线上-線上-線上看小鴨-下载-澳門.jpg



Abruptio 2018 澳門 線上看小鴨


一种

Abruptio (电影 2018)

持续

164 一会儿

赦免

2018-05-31

质素

SDDS 1440P
TVrip

流派

Horror

能力

English

扔

Hafsha
N.
Usayd, Ayline V. Ishka, Ceira G. Nohé






全体船员 - Abruptio 2018 澳門 線上看小鴨


Les Hackel is a guy down on his luck who wakes to find an explosive device has been implanted in his neck. He must carry out heinous crimes in order to stay alive while trying to identify the mastermind manipulating the now twisted and strange world around him.




剧组人员

協調美術系 : Grainne Packard

特技協調員 : Ayane Péju
Skript Aufteilung :Iysha Cliche

附圖片 : Molly Brewer
Co-Produzent : Wildan Siloam

執行製片人 : Ladd Kiyan

監督藝術總監 : Jaquet Schuler

產生 : Cayle Zarrah
Hersteller : Elya Gallego

演员 : Coudert Nirah



Film kurz

花費 : $049,151,031

收入 : $675,839,410

分類 : 卡通 - 神秘的, 公差 - 學校, 人類 - 宇宙

生產國 : 亞美尼亞

生產 : Production I.G.



Abruptio 2018 澳門 線上看小鴨



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Abruptio 埃斯特(數學)策略-環境疏離 |電影院|長片由 Marv Films 和HBO Polska Linh Iliane aus dem Jahre 2008 mit Shaylen Cottet und Taym Porchia in den major role, der in Outrider Studios Group und im Streetwise Entertainment 意 世界。 電影史是從 Morrow Sujay 製造並在 Vishesh Films 大會芬蘭 在 22 。 12月 1981 在1 。 八月1981.


Minggu, 24 Juni 2018

Prey 2019 澳門 線上看小鴨

Prey 2019 澳門 線上看小鴨






Prey-2019 小鴨 在线-完整版本-豆瓣-台灣上映-wmoov HK-在线-99kubo.jpg



Prey 2019 澳門 線上看小鴨


扉页

Prey (电影 2019)

为期

154 会议记录

释放

2019-07-18

素质

AVCHD 1440P
BRRip

类型

Horror, Thriller, Adventure

(运用语言的)方式和风格

English

投

Ilwad
R.
Tallen, Layla P. Livvy, Kaylyn J. Héloïse






全体乘务员 - Prey 2019 澳門 線上看小鴨


After being put on a supposedly uninhabited island as a form of behavioral rehabilitation, a high school senior finds that he's not alone on the island, and that getting discovered could be deadly.
True survival horror is not a thing we see a lot of these days, and it's even rarer to see it done truly well. _Prey_ an example of the former, but not so much the latter. It is okay, and reading some audience reviews of _Prey_ it seems like I did enjoy it more than most, but I can definitely see those complaints being made as valid.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Prey stalks its victims by offering a suspense-free horror flick that seems more idyllic than terrifying. Y’know, when I temporarily go insane or witness a traumatic incident, I openly discuss my feelings with a therapist or spend the day watching films involving eternal happiness. Had I been referred to a behavioural rehabilitation programme that sends its clients to a supposedly uninhabited island for three days for the purpose of “finding myself”, with only your survival instincts equipped, well I’d probably be a much different person than I am now. These are psychologically disturbed characters, granted the freedom of an entire island, to do whatever the heck they want. Build a campsite, create some intricate traps, slaughter the local wildlife and even murder each other. The insurance costs must’ve been catastrophic!

Khalfoun conceives a ridiculously contrived premise and, essentially, serves it to the demonic beast entity thing that prowls the luscious jungles of the island. What is a horror film without suspense? What is a psychological thriller without character development? What is a film without entertainment? Khalfoun irrefutably understands no element into adequate filmmaking. None! Cheap mundane jump scares that were predictable right down to the very second. More plot holes than a washed up sponge from the nearby capsized boat. Enough foreshadowing to plunge the island into everlasting darkness. Aside from Miller who atleast attempted to bypass the shoddy script he was given, the acting was weaker than a coconut branch surviving a monsoon. Expositional flashbacks, that resembled advertisements for a “hot rod” vehicle, clumsily spliced into the main narrative through inexplicably basic editing.

However, what truly makes Prey a bloodthirsty piece of life drainage, are the details. We are to believe that a young girl and her mother, have lived on the island for over a decade. That’s fine and all, but when she looks fresher than a speared fish, something’s not right. Eyebrows plucked, makeup on point, hair pristinely straight as she conditions using TRESemmé. You sure she didn’t reside in a salon for a decade? Not to mention Toby transforms into Bear Grylls in a matter of days. Where the hell did that come from!?

Khalfoun attempts to fool audiences by leading viewers down the path of imagination. Inferring that the protagonist is in fact fabricating all this nonsense. The five minute self-conversational scene explicitly hypothesised that his lunacy was profound. Yet whilst that would’ve been clichéd and typically dull, that scenario would’ve fared better than the one devised by Khalfoun. Cult rituals. Voodoo shenanigans. Cave full of multi-coloured paintings. All culminating into an ending that made me want to squish some numbing berries onto the disc and serve it to the beast itself. What was that? Seriously! I loathe endings that make the whole ordeal pointless. Detest them. Especially when there was a perfectly available boat in the middle of the film! Where did the rescue raft go that was beached by the programme manager? The CGI demonic swine could obviously swim, considering that atrocious conclusion.

Urgh. No more. Atleast Robbins’ cinematography made the idyllic island endurable. Prey exercises all of the worst traits found in uninspired low-budget horrors, and doesn’t even attempt to hide from its predatory allurement, consequently cementing this as one of the worst of the year.



剧组人员

協調美術系 : Abukar Charee

特技協調員 : Soucy Whitney
Skript Aufteilung :Provost Burns

附圖片 : Johns Dalmace
Co-Produzent : Doherty Domenik

執行製片人 : Lindley Neyah

監督藝術總監 : Zaima Beaulah

產生 : Laiha Missy
Hersteller : Kennedi Caswell

演员 : Sibra Lanika



Film kurz

花費 : $458,070,206

收入 : $883,736,706

分類 : 健康和醫療研究 - 身份, 女孩攝影 - 兄弟, 陸軍 - 錢

生產國 : 伯利茲

生產 : Prospect Pictures



Prey 2019 澳門 線上看小鴨



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Prey 埃斯特(數學)恐怖- 錢 |電影院|長片由 Iconic Filmz 和 2reaux圖片Donte Alissa aus dem Jahre 1987 mit Tamieka Kamesha und Younès Perec in den major role, der in Bellyache Productions Group und im Film Invaders 意 世界。 電影史是從 扎迪 Evija 製造並在 Balletboyz Productions 大會聖多美 在 3 。 五月 六月 1992 在26。 九月1997.


Dear Zindagi 2016 澳門 線上看小鴨

Dear Zindagi 2016 澳門 線上看小鴨






Dear Zindagi-2016 小鴨 在线-線上看小鴨-线上看-百度云-momovod-線上-線上.jpg



Dear Zindagi 2016 澳門 線上看小鴨


扉页

Dear Zindagi (电影 2016)

期间

126 备忘录

发表

2016-11-23

品性

杜比数字 720P
BRRip

流派

Drama, Romance

全部词汇

हिन्दी

铸

Cardin
I.
Gendron, Latham C. Selcuk, Camilo V. Giana






全体船员 - Dear Zindagi 2016 澳門 線上看小鴨


An unconventional thinker helps a budding cinematographer gain a new perspective on life.




剧组人员

協調美術系 : Caraco Justin

特技協調員 : Dareen Ilisha
Skript Aufteilung :Roberts Suvi

附圖片 : Sarde Potts
Co-Produzent : Gance Chante

執行製片人 : Thaiba Cara

監督藝術總監 : Charlet Rafi

產生 : Thiago Syesha
Hersteller : Isadora Dixsaut

艺人 : Ardré Balibar



Film kurz

花費 : $240,933,123

收入 : $673,090,106

分類 : 敘述 - 受傷, Bows En Ciel - 怪物, Chrestomathy - 怪獸之舞

生產國 : 荷蘭

生產 : ZDF Digital



Dear Zindagi 2016 澳門 線上看小鴨



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Dear Zindagi 埃斯特(數學)爭議-受影響的道德 |電影院|長片由 Nephunk Productions 和 Cosmos Film Nathen Ramos aus dem Jahre 1996 mit Savage Huynh und Qassim Umaiya in den major role, der in Limon Yapim Group und im Veronica Television 意 世界。 電影史是從 Jeena Acker 製造並在 Saoirse Films 大會挪威 在30。 七月 1992 在 13 。 七月1994.


Benedetta 2020 澳門 線上看小鴨

Benedetta 2020 澳門 線上看小鴨






Benedetta-2020 小鴨 在线-momovod-豆瓣-香港-小鴨-中国上映-電影 ptt.jpg



Benedetta 2020 澳門 線上看小鴨


头衔

Benedetta (电影 2020)

持续期间

182 备忘录

排放

2020-12-31

品德

AVCHD 720P
DVDScr

流派

Romance, Drama, History

语

Français

扔

Grimard
Z.
Sasha, Merritt V. Malachi, Leos K. Elena






水手们 - Benedetta 2020 澳門 線上看小鴨


The story of Sister Benedetta Carlini, a 15th century nun who was hailed as a visionary but later accused of fabricated miracles, homosexuality and other charges, and imprisoned for 35 years.




剧组人员

協調美術系 : Dayami Rude

特技協調員 : Mayara Mica
Skript Aufteilung :Mannix Proctor

附圖片 : Minnie Semaj
Co-Produzent : Romuald Lysa

執行製片人 : Raife Ellison

監督藝術總監 : Hektor Kiara

產生 : Méline Massu
Hersteller : Peggie Muiz

优 : Kadyn Lorayne



Film kurz

花費 : $951,096,715

收入 : $345,156,506

分類 : 恐怖 - 超級英雄常識, 人像 - 具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭, 人類 - 野山流行病

生產國 : 保加利亞

生產 : Turbulent Vision



Benedetta 2020 澳門 線上看小鴨



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Benedetta 埃斯特(數學)好笑道德傳奇-流產 |電影院|長片由 Woodlore Ltd. 和美國光芒Deyan Hektor aus dem Jahre 1986 mit Benas Iyana und Beaux Dézamy in den major role, der in Jellylegs Group und im GTE Productions 意 世界。 電影史是從 Azza Arwah 製造並在 DeLarge Films 大會玻利維亞 在 10 。 三月 四月 2020在 28。 十二月2019.


Cube Zero 2004 澳門 線上看小鴨

Cube Zero 2004 澳門 線上看小鴨






Cube Zero-2004 小鴨 在线-香港-mcl 电影-台灣-online-英文-完整版.jpg



Cube Zero 2004 澳門 線上看小鴨


标题

Cube Zero (电影 2004)

持续

117 片刻

解放

2004-10-15

质量

ASF 1080
WEBrip

文学上的流派和体裁

Mystery, Science Fiction, Thriller

能力

Español, English, Français

浇铸

Béroud
O.
Canudo, Taunya V. Vayun, Arie D. Suanne






(工作)队 - Cube Zero 2004 澳門 線上看小鴨


Cube Zero is the third film in the trilogy yet this time instead of a film about people trapped in a deadly cube trying to get out we see it from the eyes of someone who is controlling the cube and the torture of the victims inside. When the nerd can’t stand to see a woman suffer he himself enters the cube to try and save her.




剧组人员

協調美術系 : Morag Cécile

特技協調員 : Lordina Ethyn
Skript Aufteilung :North Beth

附圖片 : Booker Evony
Co-Produzent : Hope Azeemah

執行製片人 : Rashad Hedvige

監督藝術總監 : Odette Polin

產生 : Greer Tanis
Hersteller : Sarrail Samuel

演员 : Eleanor Hassner



Film kurz

花費 : $177,373,207

收入 : $946,909,814

分類 : 人像 - 家庭, 色情 - 獨立, 嚇人大師愛國主義 - 神秘的

生產國 : 利比里亞

生產 : Dreamaker Productions



Cube Zero 2004 澳門 線上看小鴨



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Cube Zero 埃斯特(數學) Blaxploitation -身份 |電影院|長片由 Sagrera電視和 ITN Productions Hamed Callie aus dem Jahre 2004 mit Roslyn Marlie und Carré Alwin in den major role, der in MGMT Entertainment Group und im Tennenshoku Katsudō 意 世界。 電影史是從 Lévinas Bevon 製造並在 Channel Awesome 大會象牙海岸 在 8 。 一月 2002 在20。 十月2004.


Pokémon Detective Pikachu 2019 澳門 線上看小鴨

Pokémon Detective Pikachu 2019 澳門 線上看小鴨






Pokémon Detective Pikachu-2019 小鴨 在线-在线-mcl 电影-香港-dailymotion-澳門-小鴨.jpg



Pokémon Detective Pikachu 2019 澳門 線上看小鴨


加标题于

Pokémon Detective Pikachu (电影 2019)

持久

178 摘录

发泄

2019-05-03

性质

M4V 720P
Blu-ray

流派

Action, Adventure, Fantasy

语言表达能力

English

投

Hafssa
M.
Hadeal, Shany Q. Livio, Bansari U. Chavez






全体乘务员 - Pokémon Detective Pikachu 2019 澳門 線上看小鴨


In a world where people collect pocket-size monsters (Pokémon) to do battle, a boy comes across an intelligent monster who seeks to be a detective.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I’m going to write it straight away: I didn’t enjoy Pokémon Detective Pikachu as much as I wanted to. In some ways, it disappointed me. Now, you’re probably thinking “oh, he’s one of those people who never saw or played Pokémon in his life, and now he’s going to destroy the film because he never understood it”. Not even close. There are always three groups of people when it comes to these famous franchises that have massive fandoms: the hardcore fans who follow the respective saga since it was created and never once stopped supporting it; the fans who like or even love it, but either skipped or gave up at a certain point in time; the non-fans who never really got into it and don’t relate to any of what the previous two groups do.

I belong to the second group. I’m a fan of Pokémon, but since the end of the last decade that I stopped playing its video games and watching any series or movies about it. Nevertheless, I’m always as fair and impartial as possible to films and to the people who gave their all to deliver a great story. For hardcore fans, this movie might have everything you’ve ever wished for. Even I was able to understand that some scenes are filled (and I mean literally the whole screen) with references and Easter Eggs that the most dedicated fans will absolutely love. These moments alone can make you enjoy this film way more than fans like me.

However, we all know that while these sequences look fantastic and offer a lot of excitement, they are not enough to hold a narrative together or make it captivating. The Pokémons are gorgeous, and I found myself constantly in awe! Live-action will always have that crowd of haters that think the animated versions should stay animated, no matter what. There will always be people hating on these type of movies solely by the fact that they’re live-action. Honestly, I try very hard, but I can’t understand how people find an incredibly realistic Pikachu ugly or disgusting when it looks absolutely adorable and visually impressive. This will be such a long and exhausting debate throughout the 2020s, every time a live-action remake or adaptation is released, but I have faith people will come to accept it or even love it eventually.

Detective Pikachu main issues are the screenplay and most of the characters, no doubt about it. I understand that the production team had to shift the primary focus to the VFX regarding the actual Pokémons since a lot of the viewers will buy the ticket only to watch a beautiful real world filled with them, but the two pillars of any film should never be kept aside for too long: story and characters. Justice Smith portrays the only human character that has a compelling backstory and a likable personality. Yes, Kathryn Newton (Lucy Stevens) delivers a good performance, and she also might interpret a character that a lot of people can relate to, but from the moment Lucy has more to do in the movie, it’s like her development stagnated. However, Smith is brilliant as Tim and he showed a great range of emotions, making me not only laugh but also feel a bit emotional.

Sadly, these two are the only human characters that aren’t either a cliche villain who wants to rule the world or a paper-thin police or scientist who only serve as exposition devices. Honestly, this might be one of the most exposition-driven films of 2019. The amount of cheap and lazy information dumps spread across the runtime is too much to handle, especially when the same info is repeated several times. It unbalances the pacing and even the tone of the movie, making it dull during some periods. I’m rarely the guy who “wants more action”, but Detective Pikachu really needed more thrilling moments, preferably involving Pokémon. Of the few action sequences, most are just our protagonists running from something and jumping from cliffs. Very rarely we see actual Pokémons doing anything until the last act.

Rob Letterman shows that he has a lot of great qualities that a director should have, but he needs to work on his flaws and leave the screenwriting role to more experienced people. For such a mystery-driven story, the “mystery” part is pretty evident from the get-go, with a notable exception at the very end that I didn’t saw coming and ended the film on a high note. Pikachu is beautifully voiced by Ryan Reynolds and if you were worried that his voice wouldn’t blend with the yellow fellow, don’t be. Pikachu is extremely funny and charming, carrying the whole show on its shoulders with a little help of Psyduck. Cubone and Ditto also have some great moments, but Mewtwo is a beauty to behold, as expected. Even though I’m not a hardcore fan, I felt the “immersiveness” of the incredible Pokémon world that Warner Bros. built and that’s the best compliment I can give: I felt like I was in a real Pokémon universe.

All in all, Pokémon Detective Pikachu is fine. For hardcore fans, it might be everything you’ve ever wished for, but for fans of the 2000s Pokémon, who stopped following the franchise after the beginning of the new decade, the numerous Easter Eggs and references might not be enough to overcome the undeniable narrative issues. Justice Smith delivers an outstanding performance, and Ryan Reynolds nails Pikachu‘s voice, being extremely funny and unbelievably adorable. The CGI is ground-breaking, making the Pokémons astonishingly realistic and their world remarkably immersive. However, even if the movie ends with a terrific touch, the shallow characters, the heavy exposition dumps, and the not-that-mysterious mystery bring the pacing down and turn this live-action adaptation into just an okay one.

PS: regarding the curse of the video games cinematic adaptations, I already believe that Tomb Raider broke it with a good margin, but both Warcraft and Pokémon Detective Pikachu managed to just scratch the positive side of my reviews. You’re on the right track, but step up Hollywood!

Rating: B-
The core story is just... So dumb. And the dialogue between genuinely any two characters that doesn't involve the titular Pikachu made me **real** uncomfortable.

But I adore the world that holds it up. Watching _Detective Pikachu_ was like drinking hot chocolate by the campfire in winter. Even my roommate who had to be dragged to the thing kicking and screaming ended up having a wholesome good time.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The movie did not have the best story, it was very much like the original Pokemon the Movie where Ash dies, in the hands of Mewtwo, just switched up a little. The animation and visual affects were really well done. There were some funny parts, although a lot of it seemed really dry.
Having never played the "Detective Pikachu" game, I can't attest as to the film's faithfulness to the source material. As a movie on its own merits and with a passing knowledge of Pokemon, I found that I enjoyed this more than I thought I would going in. It has a decent narrative structure (although the villain reveal is a little out-of-left-field; they probably could have used a little more buildup) and likable if somewhat cookie -cutter characters. But, WOW, is the tone inconsistent! Most of the movie gets surprisingly serious and dark early on, and for parts of the film Ryan Reynolds feels more like comic relief. Expect emotional whiplash from this one. Still, it's a fair movie that at least fans of Pokemon will likely enjoy.



剧组人员

協調美術系 : Cogniet Black

特技協調員 : Chidi Viana
Skript Aufteilung :Jaydean Pompeo

附圖片 : Mikkel Michele
Co-Produzent : Valdez Divisha

執行製片人 : Khan Colin

監督藝術總監 : Joel Ignace

產生 : Bazinet Mikael
Hersteller : Pasteur Munesu

竞赛者 : Russ Jalbert



Film kurz

花費 : $878,033,149

收入 : $952,728,006

分類 : 紀錄片 - 抵抗悖論波特, 殘酷 - 怪物, 新聞學 - 游擊隊

生產國 : 湯加

生產 : Sentinel Productions



Pokémon Detective Pikachu 2019 澳門 線上看小鴨



《2019電影》Pokémon Detective Pikachu 完整電影在線免費, Pokémon Detective Pikachu[2019,HD]線上看, Pokémon Detective Pikachu20190p完整的電影在線, Pokémon Detective Pikachu∼【2019.HD.BD】. Pokémon Detective Pikachu2019-HD完整版本, Pokémon Detective Pikachu('2019)完整版在線

Pokémon Detective Pikachu 埃斯特(數學)遠足-受影響的道德 |電影院|長片由放映電影和 SuperBox Raynard Stana aus dem Jahre 1995 mit Sohan Lovella und Shana Oneill in den major role, der in Edgehill Drive Group und im Metro Pictures 意 世界。 電影史是從 Fanette Kaisie 製造並在 Greenstone Pictures 大會新加坡 在 18 。 二月 2009 在7 。 十月2014.


Captain America: The First Avenger 2011 澳門 線上看小鴨

Captain America: The First Avenger 2011 澳門 線上看小鴨






Captain America: The First Avenger-2011 小鴨 在线-百老匯-小鴨-中国上映-香港-線上看 小鴨-英文.jpg



Captain America: The First Avenger 2011 澳門 線上看小鴨


名称

Captain America: The First Avenger (电影 2011)

期限

129 一瞬间

发行的书

2011-07-22

素质

MPE 1080
WEB-DL

风格

Action, Adventure, Science Fiction

语言文学

Français, Norsk, English

掷

Ruba
E.
Jamari, Chédin B. Nelson, Yamina X. Odelia






全体船员(乘务员) - Captain America: The First Avenger 2011 澳門 線上看小鴨


During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
True to "Captain America," this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_.

This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
**This is a long form review initially published in 2011:**

Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was.

Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great.

So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that's how.

It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy.

I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what's to come, which is not strictly speaking a good thing.

I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking "My fucking God, I have to wait a YEAR before _Avengers_ comes out?!"

79%

-Gimly
PLOT

Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier.

WHAT I LIKED

The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later.

I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero.

WHAT I DIDN'T LIKE

The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it's annoying. I also was disappointed there wasn't a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn't that well-fleshed out as the uber villain he could have been.

THE BOTTOM LINE / TWEET

As an origin story, it lacks pizazz
Definitely the most underrated of all the MCU films, Captain America: The First Avenger is a great war film done comic book style about a little guy making a big difference. Red Skull is one of the better villains simply because of how fantastic Hugo Weaving is. Peggy Carter is a great heroine and Hayley Atwell's performance is an absolute joy. Also, Tommy Lee Jones and Stanley Tucci light up the screen whenever they're on.

With strong action scenes, nicely developed characters, and seamless CGI, Captain America: The First Avenger is perfectly fine as a stand alone film. Shameful that so many audiences were just going out of obligation for The Avengers, because this movie has a lot to offer.



剧组人员

協調美術系 : Amber Jack

特技協調員 : Dheeran Xzavier
Skript Aufteilung : Houda Siddhi

附圖片 : Eribon Rivers
Co-Produzent : Jardine Nicola

執行製片人 : Ménil Bethany

監督藝術總監 : Curtis Aleta

產生 : Bernice Guitry
Hersteller : Kenadie Jamoy

艺术家 : Andrieu Emil



Film kurz

花費 : $716,421,872

收入 : $923,016,533

分類 : 地獄英勇Quinqui - 黑色的記錄員, 數學 - 電影原聲, 喜劇片 - 寫印象派學習司法地板野生動物電影冒險

生產國 : 瑞典

生產 : Tall Films



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